Las óleos de todo ALTDORFER, Albrecht

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Painting (From A to Z)

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4715

Christ on the Cross (detail) gvcvc

c. 1520 Wood Museum of Fine Arts, Budapest

4714

Christ on the Cross (detail) vfgf

c. 1520 Wood Museum of Fine Arts, Budapest

4712

Christ on the Cross between Mary and St John

Panel Staatliche Museen, Kassel

4713

Christ on the Cross f

c. 1520 Wood, 75 x 57,5 cm Museum of Fine Arts, Budapest

42954

Christ Taking Leave of his mother

mk170 dated 1520 Oil on lime 139.2x108.7cm

4710

Communion of the Apostles

1516-18 Oil on wood, 42 x 32,5 cm Staatliche Museen, Berlin

4699

Danubian Landscape g

1520-25 Parchment on wood, 30 x 22 cm Alte Pinakothek, Munich

4725

Landscape kk

Etching Graphische Sammlung Albertina, Vienna

42953

Landscape with a Footbridge

mk170 1518-1520 Oil on parchment 42.1x35.5cm

4698

Landscape with Path

c. 1518 Parchment and wood, 42 x 35,5 cm National Gallery, London

4697

Landscape with Satyr Family

1507 Panel, 23 x 20 cm Staatliche Museen, Berlin

4705

Loth and his Daughters jj

1537 Oil on limewood, 107,5 x 189 cm Kunsthistorisches Museum, Vienna

63550

Lovers

1530 Fresco, 36 x 40 cm Museum of Fine Arts, Budapest This fragment of a fresco was executed for the decoration of Kaiserbad in Regensburg. (Other fragments are in the St?dtishes Museum, Regensburg). The importance is given to these fragments by the fact that no wall other wall paintings survived from the masters of the Danube school (except a damaged fresco by Wolf Huber in Neuburg am Inn.Artist:ALTDORFER, Albrecht Title: Lovers Painted in 1501-1550 , German - - painting : other

4704

Lovers ddff

c. 1530 Fresco, 36 x 40 cm Museum of Fine Arts, Budapest

4717

Mary with the Child kkk

1520-25 Wood, 49,4 x 35,5 cm Museum of Fine Arts, Budapest

4709

Nativity hh

c. 1513 Wood, 36 x 25,5 cm Staatliche Museen, Berlin

4707

Rest on the Flight into Egypt

1510 Oil on panel, 57 x 38 cm Staatliche Museen, Berlin

4708

Rest on the Flight into Egypt (detail) kk

1510 Oil on panel Staatliche Museen, Berlin

4706

Saint George in the Forest ggg

1510 Parchment on lime panel Alte Pinakothek, Munich

4711

Schone Maria

Wood Stiftskirche St. Johann, Regensburg

4723

St Florian Taking Leave of the Monastery

c. 1530 Oil on wood, 81,4 x 67 cm Galleria degli Uffizi, Florence

4700

Susanna in the Bath and the Stoning of the Elders

1526 Wood, 74,8 x 61,2 cm Alte Pinakothek, Munich

4719

The Arrest of Christ

1509-16 Oil on wood, 129,5 x 97 cm Augustiner Chorherrenstift, St Florian bei Linz

4703

The Battle of Alexander (detail) bbb

1529 Lime panel Alte Pinakothek, Munich

4702

The Battle of Alexander (detail) vcvv

1529 Lime panel Alte Pinakothek, Munich

4722

The Entombment h

c. 1516 Oil on wood, 70,5 x 37,3 cm Kunsthistorisches Museum, Vienna

4721

The Flagellation of Christ kjlkljk

1518 Ol on wood Augustiner Chorherrenstift, St Florian bei Linz

4724

The Martyrdom of St Florian

c. 1530 Oil on wood, 76 x 67 cm Galleria degli Uffizi, Florence

4720

The Resurrection of Christ jjkk

c. 1516 Oil on wood, 70,5 x 37,3 cm Kunsthistorisches Museum, Vienna

ALTDORFER, Albrecht

German Northern Renaissance Painter, ca.1480-1538 Albrecht Altdorfer (c. 1480 near Regensburg ?C 12 February 1538 in Regensburg) was a German painter, printmaker and architect of the Renaissance era, the leader of the Danube School in southern Germany, and a near-contemporary of Albrecht D??rer. He is best known as a significant pioneer of landscape in art. He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. [1] He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

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